top of page
Luke Bateman H.R.Haitch

London, 2011. The Olympics are doomed, the East End is being gentrified for houses no-one can afford, Amy Winehouse has died, and Adele's released her second album. It’s been a tough year.

But, in a world where Kim Kardashian can’t stay married for a whole TV series, love has blossomed between feisty East Ender Chelsea and dopey toff Bertie. He’s never going to win Mastermind, but he won Chelsea’s heart when he boned her trout at catering college.

Its 2012 and Chelsea’s future is bright. She has a new man and there’s a new progressive Prime Minister to light the days ahead (#blessed). The media can stick their obsession with the identity of Prince Albert, the secret royal who’s been in hiding for 20 years.

Bertie has something big to tell Chelsea. He’s down on one knee, but it’s not a ring he has in store… it’s a crown. And Chelsea will soon discover that travelling from Barking to Buckingham Palace takes more than a topped-up Oyster Card.

The Union Theatre, Southwark

9th May - 2nd June 2018

 

The Actors Church, Covent Garden:

21st & 22nd of May 2015

 

The score was intelligent and laced with humour that was befitting to the plot, creating catchy songs that I simply couldn’t listen to without a smile on my face. **** Jessica Smith, Theatresoutheast.com on H.R.Haitch

The songs by Luke Bateman are funny, original and are seamlessly weaved into the production. The actors are accompanied in song by a talented pianist (Oli George Rew) who is on set for the duration. There are so many great songs but to name a few stand outs … Tomorrow – Who Knows?, Bertie’s Love Song and Just Try Stopping Me. **** Angela East, Spyinthestalls.com on H.R.Haitch

bottom of page